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PR913952
Tyler Hobbs
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ISBN: 9780903696883
Year: 2024
Publisher: Thames and Hudson Ltd
Description:
Tyler Hobbs' debut monograph is one of the first to focus on the work of a generative artist. Order/Disorder contextualises Hobbs' groundbreaking art from 2018-2023 and includes works from his 2023 solo exhibitions at Unit, London, and Pace, New York.
Tyler Hobbs' debut monograph is one of the first to focus on the work of a generative artist. Contextualising his art from 2018-2023, Order/Disorder includes works from Hobbs' solo exhibitions at Unit, London, and Pace, New York, in 2023.
Structured around the concept of dualities, the book explores Hobbs' systematic approaches to artmaking, the creative relationship between man and machine, computer-led aesthetics and the interplay of repetition and emergence across longform generative projects.
Order/Disorder features an interview between Hobbs and Hans Ulrich Obrist, artistic director of the Serpentine Galleries, and an essay by Melanie Lenz, curator of digital art at the Victoria & Albert Museum, alongside texts by the artist that introduce each thematically arranged section of plates.
ISBN: 9780903696883
Year: 2024
Publisher: Thames and Hudson Ltd
Description:
Tyler Hobbs' debut monograph is one of the first to focus on the work of a generative artist. Order/Disorder contextualises Hobbs' groundbreaking art from 2018-2023 and includes works from his 2023 solo exhibitions at Unit, London, and Pace, New York.
Tyler Hobbs' debut monograph is one of the first to focus on the work of a generative artist. Contextualising his art from 2018-2023, Order/Disorder includes works from Hobbs' solo exhibitions at Unit, London, and Pace, New York, in 2023.
Structured around the concept of dualities, the book explores Hobbs' systematic approaches to artmaking, the creative relationship between man and machine, computer-led aesthetics and the interplay of repetition and emergence across longform generative projects.
Order/Disorder features an interview between Hobbs and Hans Ulrich Obrist, artistic director of the Serpentine Galleries, and an essay by Melanie Lenz, curator of digital art at the Victoria & Albert Museum, alongside texts by the artist that introduce each thematically arranged section of plates.
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