Impressionism - The Art of Landscape

Discover the transformative power of Impressionism in 'The Art of Landscape,' a visually stunning hardback book that encapsulates the essence of this revolutionary art movement. With dimensions of 240 x 300 mm and 240 expertly curated pages, this volume is a must-have for art enthusiasts and collectors alike. This book not only showcases 90 seminal works of Impressionist landscapes—with breathtaking reproductions from masters like Monet, Pissarro, Sisley, and Renoir—but also delves deep into the intricate techniques and influences that shaped these masterpieces.

Drawing on the latest scholarly research, 'The Art of Landscape' examines vital themes including the impact of industrialization on French landscapes and the evolution of color theory within Impressionism. Through contributions from six leading scholars, readers will gain new insights into the relationship between Impressionist artists and the transformations occurring in their surroundings. The text also highlights how modern poetry and photography influenced the creation of these iconic paintings.

Accompanying the inaugural exhibition of the Museum Barberini in Potsdam, Germany, this breathtaking book offers an unparalleled exploration of the landscape within Impressionism, making it an essential addition to any art lover's library. Immerse yourself in the rich history, innovative techniques, and vibrant artistry that define Impressionist landscapes and witness the inexorable change of the landscape itself as documented by these visionary artists.

Authors: Ortrud Westheider, Michael Philipp Publisher: Prestel Publishing
Bind: hardback
Dimensions: 240 x 300 mm
Pages: 240
Publication Date: 01-02-2017

This magnificently illustrated book draws on the latest scholarly research to reveal new perspectives on the techniques and influences of Impressionist landscapes. This breathtaking survey takes a multi-faceted approach in its study of 90 seminal works of Impressionist art. Accompanying the inaugural exhibition of the new Museum Barberini in Potsdam, Germany, the book features contributions by six leading scholars who examine a wide range of themes, from the use of repetition and variation to the ecological climate in which the artists worked. Underlying and unifying these perspectives is the inexorable change of the landscape itself. Poised on the brink of the Modern Era, the Impressionists documented the effects of industrialization on French landscapes. Amid these transitions, the artists used the landscape itself to advance their own explorations into the field of color theory. The book also explores the influence of modern poetry and photography on the creation of these paintings. With beautiful reproductions from the masters—including Monet, Pissarro, Sisley, and Renoir—this volume takes an exciting new approach to the study of Impressionism, while introducing audiences to the holdings of a remarkable new museum.