On the Last Afternoon

Discover 'On the Last Afternoon: Disrupted Ecologies and the Work of Joyce Campbell,' a captivating compilation showcasing the remarkable interdisciplinary artistry of Joyce Campbell. This brand new trade paperback, published by Random House US in 2020, features 320 pages of rich illustrations that delve into Campbell's nearly three-decade long journey through photography, film, and video. Explore the profound intersections of photography, philosophy, ecology, and material history through Campbell's unique lens. Her work invites readers to engage with sacred and symbolic landscapes, revealing the intricate narratives woven through her Maori and Pakeha collaborations. This essential retrospective complements her major 2019 exhibition at Adam Art Gallery Te Pataka Toi in Wellington, Aotearoa New Zealand. Perfect for art enthusiasts, collectors, and scholars alike, 'On the Last Afternoon' is not just a book, but a gateway into the thought-provoking world of Joyce Campbell's creative exploration. Enjoy free shipping on this essential addition to your art collection, though please note combined shipping is unavailable for this item. Get ready to enrich your understanding of art and ecology with this extraordinary publication today!
Condition: BRAND NEW
ISBN: 9783956794445
Format: Trade paperback (UK)
Year: 2020
Publisher: RANDOM HOUSE US
Pages: 320


Description:
A richly illustrated retrospective of interdisciplinary artist Joyce Campbell and her three decades of work in photography, film, and video.

On the Last Afternoon- Disrupted Ecologies and the Work of Joyce Campbell offers a number of portholes into the relations between photography, philosophy, ecology, material history, science fiction, and the care and reading of sacred and symbolic landscapes, as they have been engaged by artist Joyce Campbell over her near three-decade career. Richly illustrated with a full array of her various bodies of work in photography, film, and video, the publication complements and extends her major 2019 exhibition at Adam Art Gallery Te Pataka Toi in Wellington, Aotearoa New Zealand. Bringing together new and existing writings by Christina Barton, Geoffrey Batchen, Elizabeth Grosz, Richard Niania, Bernard Stiegler, Mark von Schlegell, and John C. Welchman with the embedded wisdom and inherited narratives of her Maori and Pakeha collaborators, Campbell demonstrates the interconnectedness of c

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