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PR1138299
David Bowie's Tintoretto
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David Bowie's Tintoretto is backordered and will ship as soon as it is back in stock.
Condition: BRAND NEW
ISBN: 9789463887014
Year: 2019
Publisher: Thames and Hudson Ltd
Description:
This lavishly illustrated book features Jacopo Tintoretto's masterpiece Angel Foretelling the Martyrdom of Saint Catherine of Alexandria, a long-term loan received by the Palazzo Ducale. Commissioned by members of the Scuola di Santa Caterina for the Church of San Geminiano in the Piazza San Marco in Venice, the altarpiece was displayed in this central location for some 250 years. Few churches, even in Venice, could compete with the beautiful San Geminiano (designed by Jacopo Sansovino) and its two altarpieces by Giovanni Bellini and Tintoretto, and pair of organ shutters by Veronese. During its sojourn in San Geminiano the altarpiece was seen by many local and visiting painters. This is clear not only from a sketch of the painting by Anthony van Dyck and notes on it by Joshua Reynolds, but also from engravings and, more generally, echoes of it in later compositions, approaches to handling paint, and colour schemes. In 1807, Napoleon had the church destroyed to make way for a Royal Palace and, after a few years at the Gallerie dell'Accademia, Tintoretto's painting passed into private hands. Riccardo Lattuada tells us the fascinating story of the altarpiece painted by this exceptional artist Vasari called: "il più terribile cervello che abbia avuto mai la pittura". Of particular interest is the scientific study from conservators at the Royal Institute of Cultural Heritage in Brussels. This report reveals an astonishingly complete underdrawing and has provided scholars involved in the project with information making possible a much more precise dating of the work. Xavier Salomon (The Frick Collection, New York) gives us an insight into wh
ISBN: 9789463887014
Year: 2019
Publisher: Thames and Hudson Ltd
Description:
This lavishly illustrated book features Jacopo Tintoretto's masterpiece Angel Foretelling the Martyrdom of Saint Catherine of Alexandria, a long-term loan received by the Palazzo Ducale. Commissioned by members of the Scuola di Santa Caterina for the Church of San Geminiano in the Piazza San Marco in Venice, the altarpiece was displayed in this central location for some 250 years. Few churches, even in Venice, could compete with the beautiful San Geminiano (designed by Jacopo Sansovino) and its two altarpieces by Giovanni Bellini and Tintoretto, and pair of organ shutters by Veronese. During its sojourn in San Geminiano the altarpiece was seen by many local and visiting painters. This is clear not only from a sketch of the painting by Anthony van Dyck and notes on it by Joshua Reynolds, but also from engravings and, more generally, echoes of it in later compositions, approaches to handling paint, and colour schemes. In 1807, Napoleon had the church destroyed to make way for a Royal Palace and, after a few years at the Gallerie dell'Accademia, Tintoretto's painting passed into private hands. Riccardo Lattuada tells us the fascinating story of the altarpiece painted by this exceptional artist Vasari called: "il più terribile cervello che abbia avuto mai la pittura". Of particular interest is the scientific study from conservators at the Royal Institute of Cultural Heritage in Brussels. This report reveals an astonishingly complete underdrawing and has provided scholars involved in the project with information making possible a much more precise dating of the work. Xavier Salomon (The Frick Collection, New York) gives us an insight into wh
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