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Ngaio Marshs Hamlet

$29.95
Discover the brilliance of Ngaio Marsh's 'Hamlet' in this unique paperback edition published by Canterbury University Press. This insightful compilation features the typescript of Marsh's groundbreaking 1943 production, revered for its innovative modern-dress interpretation and dynamic execution. As a leading figure in 20th-century crime literature and a skilled Shakespearean director, Ngaio Marsh blended her literary prowess with theatrical genius, establishing a memorable version of 'Hamlet' that captivated wartime audiences.

This meticulously curated volume not only includes the original typescript but also features previously unpublished incidental music by renowned composer Douglas Lilburn, enhancing the rich auditory experience of Marsh's celebrated production. With dimensions of 148 x 210 mm and 134 pages, this edition is filled with archival photographs that transport readers back to the dynamic world of 1940s New Zealand theatre.

Polly Hoskins provides a compelling introductory essay, offering a critical exploration of the theatrical techniques employed by Marsh, the historical context of the performance during World War II, and reflections on her innovative compositional style. Additionally, Robert Hoskins introduces Lilburn's poignant music, providing deeper insight into the artistic collaboration behind this iconic production.

Perfect for theatre enthusiasts, literature lovers, and scholars, Ngaio Marsh's 'Hamlet' is an essential addition to any bookshelf, shedding light on her significant impact on both crime writing and New Zealand's theatrical history. Embrace this opportunity to enhance your understanding of Ngaio Marsh's legacy as a Shakespearean director with this exquisite publication.

Authors: Ngaio Marsh, Polly Hoskins Publisher: Canterbury University Press
Bind: paperback
Dimensions: 148 x 210 mm
Pages: 134
Publication Date: 01-09-2019

Dame Ngaio Marsh (1895-1982), a distinguished University of Canterbury alumna, was one of the greatest crime writers of the twentieth century. Marsh was also a gifted Shakespearean director, establishing her reputation in 1943 with the Canterbury University Drama Society modern-dress production of ‘Hamlet’. Fast-paced, with a deftly-cut script, and featuring especially commissioned incidental music by Douglas Lilburn, Ngaio Marsh’s production of ‘Hamlet’ was a hit with wartime audiences. Marsh’s 1943 ‘Hamlet’ production typescript is reproduced here for the first time, together with Lilburn’s previously unpublished music and a selection of archival photographs. An introductory essay by Polly Hoskins examines the staging of the production and the wartime context in which the play was performed, offering broader reflection on Marsh’s compositional approach, and a note from Robert Hoskins introduces Lilburn’s music. This edition makes the perfect starting point for enriching our understanding of Ngaio Marsh as a Shakespearean director and producer, and presents a fresh perspective on New Zealand’s theatre history.

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Unique paperback edition of Ngaio Marsh's 'Hamlet', featuring the original typescript, music, and archival photos from 1943.
NATIONWIDE BOOKS

Ngaio Marshs Hamlet

$29.95
Discover the brilliance of Ngaio Marsh's 'Hamlet' in this unique paperback edition published by Canterbury University Press. This insightful compilation features the typescript of Marsh's groundbreaking 1943 production, revered for its innovative modern-dress interpretation and dynamic execution. As a leading figure in 20th-century crime literature and a skilled Shakespearean director, Ngaio Marsh blended her literary prowess with theatrical genius, establishing a memorable version of 'Hamlet' that captivated wartime audiences.

This meticulously curated volume not only includes the original typescript but also features previously unpublished incidental music by renowned composer Douglas Lilburn, enhancing the rich auditory experience of Marsh's celebrated production. With dimensions of 148 x 210 mm and 134 pages, this edition is filled with archival photographs that transport readers back to the dynamic world of 1940s New Zealand theatre.

Polly Hoskins provides a compelling introductory essay, offering a critical exploration of the theatrical techniques employed by Marsh, the historical context of the performance during World War II, and reflections on her innovative compositional style. Additionally, Robert Hoskins introduces Lilburn's poignant music, providing deeper insight into the artistic collaboration behind this iconic production.

Perfect for theatre enthusiasts, literature lovers, and scholars, Ngaio Marsh's 'Hamlet' is an essential addition to any bookshelf, shedding light on her significant impact on both crime writing and New Zealand's theatrical history. Embrace this opportunity to enhance your understanding of Ngaio Marsh's legacy as a Shakespearean director with this exquisite publication.

Authors: Ngaio Marsh, Polly Hoskins Publisher: Canterbury University Press
Bind: paperback
Dimensions: 148 x 210 mm
Pages: 134
Publication Date: 01-09-2019

Dame Ngaio Marsh (1895-1982), a distinguished University of Canterbury alumna, was one of the greatest crime writers of the twentieth century. Marsh was also a gifted Shakespearean director, establishing her reputation in 1943 with the Canterbury University Drama Society modern-dress production of ‘Hamlet’. Fast-paced, with a deftly-cut script, and featuring especially commissioned incidental music by Douglas Lilburn, Ngaio Marsh’s production of ‘Hamlet’ was a hit with wartime audiences. Marsh’s 1943 ‘Hamlet’ production typescript is reproduced here for the first time, together with Lilburn’s previously unpublished music and a selection of archival photographs. An introductory essay by Polly Hoskins examines the staging of the production and the wartime context in which the play was performed, offering broader reflection on Marsh’s compositional approach, and a note from Robert Hoskins introduces Lilburn’s music. This edition makes the perfect starting point for enriching our understanding of Ngaio Marsh as a Shakespearean director and producer, and presents a fresh perspective on New Zealand’s theatre history.

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