Description
Author: Janet Charman Publisher: Otago University Press
Bind: paperback
Dimensions: 150 x 230 mm
Pages: 118
Publication Date: 01-11-2017
what did you eat willful Chang’e? – fly to the moon where no one hears you rabbiting on you won’t silence me by chopping the tree its white leaves and a night-dipped pen the fuel of my longevity As one of eight writers, poet Janet Charman was invited in 2009 to take part in a hectic, immersive literary residency in Hong Kong. Written out of this time of stimulating buzz, ? surrender chronicles the tensions, translations and literary crushes that ensue, with ever-present comedy. From this intense hothouse and these privileged constraints flow narrative poems that capture the creative and cultural dislocation of travel, with its petty irritants and constant surprises. Charman’s verse has always been distinguished by a combination of astute observation, compassion, pluck, vulnerability and willingness to poke fun at herself. – Iain Sharp In her laconic and original style, Janet Charman writes a body of work which sees [her] exploiting the motif of journeying to investigate the colonised land, past and present. – Siobhan Harvey
Bind: paperback
Dimensions: 150 x 230 mm
Pages: 118
Publication Date: 01-11-2017
what did you eat willful Chang’e? – fly to the moon where no one hears you rabbiting on you won’t silence me by chopping the tree its white leaves and a night-dipped pen the fuel of my longevity As one of eight writers, poet Janet Charman was invited in 2009 to take part in a hectic, immersive literary residency in Hong Kong. Written out of this time of stimulating buzz, ? surrender chronicles the tensions, translations and literary crushes that ensue, with ever-present comedy. From this intense hothouse and these privileged constraints flow narrative poems that capture the creative and cultural dislocation of travel, with its petty irritants and constant surprises. Charman’s verse has always been distinguished by a combination of astute observation, compassion, pluck, vulnerability and willingness to poke fun at herself. – Iain Sharp In her laconic and original style, Janet Charman writes a body of work which sees [her] exploiting the motif of journeying to investigate the colonised land, past and present. – Siobhan Harvey
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